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Fresco in St. Charles's Church in Vienna

The grandiose trompe l'oeil ceiling of Sant'Ignazio of Loyola Church in Rome, painted by Andrea Pozzo after 1685.

touring the historic capital city of rome, italy - sept 2021.

Frescoed ceiling of the Church of San Pietro in the Savona old town

Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.

Decorated ceiling of Marble hall in Melk abbey, Austria

Genova - The fresco of Last Judgment in the church Chiesa del Gesu by Giovanni Battista and his brother Giovanni Carlone from 17. cent.

Details of the interiors of Collegiata di San Gaudenzio church, Varallo, Italy

Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.

Ancient religious murals in Siena, Italy

The majestic and stunning frescoed vault inside the church of Sant'Ignazio di Loyola (St. Ignatius of Loyola), in the historic and Baroque heart of Rome. The fresco, depicting the Glory of St. Ignatius, founder of the Society of Jesus (Jesuits), is one of the absolute masterpieces of the Roman Baroque. Painted by the artist Andrea Pozzo in 1685, this fresco almost entirely covers the vault of the church with a perspective representation that, between arches, clouds and columns, increases its space and volumes, effectively creating a virtual reality. The work depicts Christ (in the center) who radiates the figure of St. Ignatius and at the corners the allegories of the four continents known until then. In 1980 the historic center of Rome was declared a World Heritage Site by Unesco. Super wide angle image in high definition format.

Florence: Hell and damnation depiction of Cathedral dome painting in Florence, Italy. The Brunelleschi's dome was painted by Giorgio Vasari and Federico Zuccari.

Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy

Genova - The ceiling fresco of Jesus as the Judge amng the angels and symbols of Crucifixion in the church Chiesa di Santa Caterina by Giovan Battista Castello (1509 - 1569).

Interior of the Cathedral of Serravalle in Vittorio Veneto

$It is named after the hall of mysteries located in the residential part of the building, which faces the sea. A large continuous fresco that covers three walls, one of the most preserved ancient paintings, depicts a mysterious rite, that is reserved for the devotees of the cult. The scene is linked with Dionysus, who appears on the central wall with his wife, Ariadne.\nFemale figures as well as fauns, maenads and winged figures are seen on the side walls, engaged in various ritual activities. Besides Dionysian ecstasy expressed in dancing and drinking wine, one sees the ritual flagellation of a young girl resting on the lap of a seated woman (bottom right). The other rooms also preserve wonderful examples of second style wall decoration, that is with depictions of architecture. Egyptian inspired miniature paintings are seen in the tablinum.\nThe villa also includes an area intended for the production of wine with a rebuilt wooden press. The complex dates back to the 2nd century BC but was given its current shape in 80-70 BC, which is the same period of the frieze of the mysteries.$