Free Images: "bestof:Tambour Desk, made by John and Thomas Seymour, Boston, 1790-1796, mahogany with mahogany, satinwood, and curly maple veneers, brass, ivory, paper, enamel on"
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Tambour Desk, made by John and Thomas Seymour, Boston, 1790-1796, mahogany with mahogany, satinwood, and curly maple veneers, brass, ivory, paper, enamel on copper - National Gallery of Art, Washington - DSC08782.JPG
Tambour Desk, attributed to John and Thomas Seymour, Boston, 1793-1798, mahogany with mahogany, satinwood, and maple veneers, brass, ivory, paper, enamel on copper - National Gallery of Art, Washington - DSC08774.JPG
Lady's writing desk with tambour shutters, labeled 'John Seymour & Son, Cabinet Makers, Creek Square', Boston, 1793-1796, mahogany with ash, white pine, ivory, original brass and enamel- Winterthur Museum - DSC01377.JPG
Night stand or night cabinet, attributed to John and Thomas Seymour, Boston, 1798-1807, mahogany with mahogany and maple veneers, white pine, cherry, marble, replaced brass hardware - Winterthur Museum - DSC01381.JPG
Card table, attributed to John and Thomas Seymour, Boston, Massachusetts, 1798-1804, mahogany with maple and rosewood veneers, white pine, birch, maple, ash - Winterthur Museum - DSC01374.JPG
Gaming Table, possibly by Thomas Seymour, Boston, 1815-1820, mahogany and maple veneers, various marbles, ormolu, leather and baize - National Gallery of Art, Washington - DSC08794.JPG
Card table, attributed to Thomas Seymour, carving attributed to Thomas Wightman, Boston, 1816-1817, rosewood, mahogany, birds-eye maple veneer, chestnut, ash, brass and brass powder - Winterthur Museum - DSC01431.JPG
Side table, attributed to John and Thomas Seymour, Boston, 1800-1810, carving attributed to Thomas Wightman, mahogany with birch veneers, rosewood banding, white pine, cherry, marble - Winterthur Museum - DSC01379.JPG
Armchair, possibly by John and Thomas Seymour, Boston, 1795-1805, maple with various maple veneers - National Gallery of Art, Washington - DSC08812.JPG
Desk and bookcase (behind mirror), possibly by Thomas Sherburne shop, Boston, Massachusetts, 1770-1785, mahogany, white pine, yellow pine, replaced brass hardware - Winterthur Museum - DSC01366.JPG
Japanned high chest, signed in chalk 'Pim', case by John Pimm, Boston, Massachusetts, 1740-1750, soft maple, black walnut, white pine, mahogany, paint, gesso, original brass, view 1 - Winterthur Museum - DSC01398.JPG
Japanned high chest, signed in chalk 'Pim', case by John Pimm, Boston, Massachusetts, 1740-1750, soft maple, black walnut, white pine, mahogany, paint, gesso, original brass, view 2 - Winterthur Museum - DSC01401.JPG
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American side chair made by Thomas Howard, Jr., c. 1790, mahogany with satinwood and ebony inlay, Honolulu Museum of Art.JPG
Desk and Bookcase attributed to John Aitken, Philadelphia, 1795-1810, mahogany with mahogany veneer, light wood inlay, brass, glass - National Gallery of Art, Washington - DSC09706.JPG
Duncan Phyfe card table, c. 1810, Honolulu Museum of Art, 990.1.JPG
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Nest of Tables or Quartetto Tables, attributed to Thomas Seymour, painting attributed to John Ritto Penniman, Boston, 1804-1810, maple, paint - National Gallery of Art, Washington - DSC09744.JPG
Sofa, probably made in shops of John B. Warner (1806-1863), Wallingford or Manchester VT, mahogany and mahogany veneer, cherry, maple, pine, new upholstery - Bennington Museum - Bennington, VT - DSC08862.JPG
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Desk attributed to Edward Priestly, c. 1825-1835, mahogany, mahogany veneer, satinwood, ebony, yellow poplar, white pine - De Young Museum - DSC01258.JPG
Wash stand, Boston, 1795-1810, mahogany, birch veneers, pine, with pitcher, England, 1805-1815, glazed earthenware - Concord Museum - Concord, MA - DSC05710.JPG
American tambour secretary-front desk and bookcase, c. 1790, Salem, mahogany and mahogany veneer with inlays, HAA.JPG
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Easy chair, Boston, 1740-1790, mahogany, maple, white pine - Concord Museum - Concord, MA - DSC05675.JPG
Bedsead, Boston area, 1760-1780, mahogany, maple, white pine, reproduction hangings - Concord Museum - Concord, MA - DSC05712.JPG
Writing Desk, 1745-1749, Jacque Dubois, Paris, oak, pine, lqcquer, mahogany and kingwood veneers, bronze, leather, pewter, and iron - Art Institute of Chicago - DSC09793.JPG
Pier Table, Boston, 1815-1825, mahogany with mahogany veneer, marble, semiprecious stones, ormolu, brass - National Gallery of Art, Washington - DSC09746.JPG
Sideboard, maker unknown, Windsor VT, c. 1798, mahogany, maple, birch, pine, and cherry, with mahogany and rosewood veneers and light and dark wood inlays - Bennington Museum - Bennington, VT - DSC08739.JPG
English cabinet on stand, after Thomas Chippendale, c. 1900, mahogany and ivory, HAA.jpg
Easy chair, probably Boston, Massachusetts, 1760-1780, mahogany, soft maple, reproduction wool upholstery - Winterthur Museum - DSC01384.JPG
Writing Desk by Catherine Peachey, 1870s, American black walnut, mahogany, black cherry, yellow poplar, brass - Cincinnati Art Museum - DSC03041.JPG
Side Chair, Newport, Rhode Island, possibly John Goddard, mahogany with maple - Chazen Museum of Art - DSC02532.JPG
Wash stand, Boston area, early 1800s, mahogany, brass, with basin and pitcher, Staffordshire, England, c. 1818-1846, earthenware - Concord Museum - Concord, MA - DSC05901.JPG
Bombe Desk and Bookcase by an unknown maker, Boston, Massachusetts, 1770-1778, mahogany and white pine - Museum of Fine Arts, Springfield, MA - DSC03949.JPG
High Chest, attributed to John Townsend, Newport, 1765-1770, mahogany, brass - National Gallery of Art, Washington - DSC08769.JPG
Secretaire a abattant, by Joseph Laidain, Boston, Massachusetts, 1826, mahogany mahogany veneer, basswood, white pine, brass - Winterthur Museum - DSC01428.JPG
Sideboard, maker unknown, Boston, Massachusetts, c. 1790-1805, mahogany, mahogany veneer, purpleheart, maple, ebony, pine - De Young Museum - DSC01262.JPG
Tall case clock, Boston, 1785-1795, mahogany, mahogany veneer, holly, white pine, brass, painted iron - Concord Museum - Concord, MA - DSC05649.JPG
Worktable owned by George Ticknor, unknown Boston craftsmen, c. 1820, rosewood veneer, mahogany, ebony, chestnut, gilt brass, reproduction work bag - Hood Museum of Art - DSC09206.JPG
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Chest of drawers, attributed to western Vermont, 1810-1820, cherry, maple, and white pine, with birch and mahogany veneers - Bennington Museum - Bennington, VT - DSC08728.JPG
Clock, attributed to Aaron Willard Jr. shop, Boston, 1800-1810, mahogany, casuarina, pine, brass, steel, painted glass - Concord Museum - Concord, MA - DSC05711.JPG
Armchair, 1867-1870, designed by Owen Jones, made by Jackson & Graham, London, mahogany, purpleheart, ebony, harewood, holly, brass - Art Institute of Chicago - DSC09900.JPG
Tall Clock, movement by Simon Willard, Roxbury (Boston), Massachusetts, 1790-1800, mahogany with mahogany veneer and light wood inlay, brass, steel, iron, paint - National Gallery of Art, Washington - DSC08790.JPG
Dressing glass, Boston, Massachusetts, 1755-1770, mirror from England 1755-1770, mahogany, aspen, white pine, red cedar, white oak, replaced brass hardware - Winterthur Museum - DSC01371.JPG
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Tall Clock, movement by Simon Willard, Roxbury (Boston), Massachusetts, 1790-1800, mahogany with mahogany veneer and light wood inlay, brass, steel, iron, paint - National Gallery of Art, Washington - DSC08789.JPG
Massachusetts slant front desk, maker unknown, c. 1770, Dayton Art Institute.JPG
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Simon Willard, tall clock with moon phase mechanism, c. 1795, HAA.jpg
Dressing table, base made in Boston, 1700-1720, top made in Europe probably Switzerland, 1700-1720, walnut with maple, white pine, slate, brass - Winterthur Museum - DSC01467.JPG
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