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This is an original unsigned 17th century painting. The artist is unknown but it is in the style of Sir Peter Lely (Dutch/British, 1618-1680). A portrait of Anna Maria Talbot (1642-1702), Countess of Shrewsbury from 1659-1668 by virtue of her marriage to Francis Talbot the 11th Earl of Shrewsbury, England. Francis Talbot died from wounds received in a duel with Anna's lover, the second Duke of Buckingham. In a beat-up gilt wood frame.

Digital painting of the abandoned Rhos Slate Quarry at Capel Curig, below Moel Siabod in the Snowdonia National Park, Wales

Antique New Chile Photograph: National Congress, Santiago, Chile, 1893: Original edition from my own archives. Copyright has expired on this artwork. Digitally restored.

Fagnano Olona, Italy - May 6, 2023: Fagnano Olona, Varese province, Lombardy, Italy: exterior of the historic Madonna della Selva church

Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.

Pretty young woman,, graceful beautiful female ballet dance in white ballet dress sitting isolated on dark studio background. Art, motion, action, inspiration concept. Copy spcae for ad.

$Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.\nHigh Resolution$

Digital oil painting of grape, orange, apple and ceramic utensils on table with white color tablecloth, branch and carpet background

sculpture of the head of Apollo in the workshop

Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy

Naked woman marble lied statue with lion skin, isolated on black background

Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo

Pisa Camposanto: Detail from Tomb of Ottaviano Fabrizio Mossotti (1791 - 1863), italian mathematician, physicist and astronomer. The reclining figure represents the Science. Gentle beauty immortalised in marble

Statue of the Dioscuri, the Castor twin placed there in 1584 at the Campidoglio square staircase Rome Italy

Digital painting of a dry stone wall cuts through the vista of green trees, fields and hills in the Peak District National park. The flat top of Shuttlingsloe can be seen in the distance.

A copy of a stone bust of the Greek Goddess Artemis, daughter of Zeus, twin sister of Apollo. This photograph provides a 2/3 view of the face and has dramatic low key lighting.

Tomb of Lorenzo the Magnificent and his brother Giuliano and Michelangelo's, Madonna and Child in Medici Chapel, Florence, Italy.

A woman in a blue medieval dress holds a pomegranate. The image has a vintage feel. Portrait of a woman in a Renaissance style dress with a still life.

Modern conceptual art colorful ancient statue of bust of Apollo. Collage of contemporary art style

Goddess Minerva, chapel of the Third Order, painted decoration from the 18th century, Perpignan, Pyrénées-Orientales

Portrait of a beautiful woman. Medieval style.

Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of the Norman Palace also known as the Royal Palace

Portrait of Victoria I, Queen of England (1819 - 1901). Vintage photo etching circa 19th century.

According to Doro Levi's chronology, Antakya mosaics are dated to the beginning of the 2nd century AD and just after the great earthquake of 526 AD.

$Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o. Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting. After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.$

Detail from Trevi fountain in Rome, Italy

Human figure sculptures at the base of the lamp posts on Pont Alexandre III

The Fountain of the Goddess Rome Ancient statue in the Piazza del Campidoglio Rome Italy This is part of the fountain Dea Roma

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