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Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.

Tang Dynasty fresco in ZhangLe princess Mausoleum.long exposure in the princess mausoleum.

09 19 2006 Heritage A UNESCO world heritage Site Ajanta Painting near Aurangabad Maharashtra India.Asia.

$A recovered ancient fresco on display at the Aarhus Cathedral in Denmark, used to educate people who could not read, depicting the Christian concept of heaven, earth and hell, top to bottom. \nAarhus Cathedral's walls were originally covered with murals, but during the Reformation, they were whitewashed. Gradually several of the paintings have been been uncovered. Despite the loss, it is the church in Denmark that has the largest area of frescoes.$

Wall painting in the Tomba Claudio Bettini in Tarquinia - Etruscan Monterozzi necropolis - Tarquinia, Italy

Three southwestern terracotta water jugs.

Galatina, Apulia (Italy): a composition made of details from the XVth century frescoes painted on the walls of the Basilica of St. Catherine of Alexandria.

REGGIO EMILIA, ITALY - APRIL 12, 2018: The painting of angels in church Chiesa dei Cappuchini by Padre Angelico da Villarotta.

These baths were called hammam, and were situated next to what used to be the Omeyan Castle, which it was most likely attached to, and were one the biggest baths of their kind in the city

$Roman fresco showing flower dealers. Cherubs represent the flower dealers, and the flowers are being carried in baskets over one cherub's shoulder and on the back of a goat. This fresco is from the triclinium (dining room) of the House of the Vettii in Pompeii\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities$

$The Lycean Tombs at Dalyan date back to BC and have lasted for over 2800 years.\nIt is said the Tombs were made as high as possible for kings and people of importance, who expected to be close to God.\nThey were never finished due to the invasion of Alexander the Great.$

Dates back to 1791. Soma, Manisa, Turkey.

Saint Nicholas, Ancient, Myra, Santa Claus, Bishop, Basilica, Anatolia, Monument, Mosaic, Antalya - Turkey

Limatola, Benevento, Italy December 2019: The art of Neapolitan nativity of S. Gregorio Armeno, Presepe in the local market stall.

Painted Enamel Vessel, Ancient China Qianlong Reign Mark

$Mosaic emblema in opus vermiculatum made from polychrome tesserae. Octopus fights a lobster surrounded by a myriad of mediterranean fish and mollusc species.\nPompeii - House of Geometric Mosaics ( VIII 2, 14-16 ) Early 1st century BC$

Vicenza - The stone mosaic (Pietra Dura) of Resurrection of Jesus on the main altar in the chruch Chiesa di Santa Corona by Corbarelli (1670-1671).

Oil landscape painting showing farm house in spring.

The sea sinks the army of the pharaoh in the old book The Bible in Pictures, by G. Doreh, 1897

$oil painting \$

$The Lycean Tombs date back to BC and have lasted for over 2800 years.\nIt is said the Tombs were made as high as possible for kings and people of importance, who expected to be close to God.\nThey were never finished due to the invasion of Alexander the Great.$

Torre Annunziata, Italy - August 28, 2020: Ancient Roman ruins of Poppea Villa in the city of Oplontis now called Torre Annunziata, famous place for well preserved Roman frescoes, no people in the scene, photo taken in Torre Annunziata in Naples province, Italy.

Ethnic adobe mud wall decorated with Old style village art work in white paint.

Antique heraldic banner. Medieval decoration ornament, vintage shield shape

Vicenza - The stone mosaic (Pietra Dura) of Last Supper on the main altar in the chruch Chiesa di Santa Corona by Corbarelli (1670-1671).

$Lararium of House of the Vettii, Pompeii. \nA genius between two Lares,and the snake; Traditional religious image in the houses of ancient Rome.\nIn classical Roman religion, a genius loci ( plural genii loci ) was the protective spirit of a place. It was often depicted in religious iconography as a figure holding attributes such as a cornucopia, patera ( libation bowl ) or snake.\nIn the center stands the Genius, young and unbearded. On each side of him stands a wreathed Lar, holding rhyton and situla. The lower end of each rhyton has the form of a fore-part of a goat. In the lower zone of the same panel a crested and bearded serpent with brown back and yellow belly glides through plants towards the altar. This painted square altar is shown at the right edge of the panel. On the altar are an egg and some fruits.$

Antique pot isolated on a white background

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