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Turin: The painting of The Nursing Madonna in Duomo by Defendente Ferrari (1511 - 1535).
Pompeii fresco painting of Maenad and Cupid. High resolution image.\nHouse of L. Caecilius lucundus, triclinium 8, 35-45 AD.\nIn Greek mythology, maenads were the female followers of Dionysus and the most significant members of the thiasus, the god's retinue.
Madonna with child between two angels, Gregorio di Lorenzo. Forli cathedral, Italy
Marble group 'Madonna and Child with Saints', work by Andrea Guardi in 1460 in the Cathedral of Carrara
Sculpture in the streets of the city of Venice, Italy, Europe.
Mother Mary, Venice, bassorilievo, anonymous XVI century
Religious art and architectural details in Sacro Monte di Varallo, Italy
Church of San Maurizio al Monastero Maggiore, Milan
Naples - The marble relief of renaissance Madonna among the angels in the church Chiesa di Sant'Anna dei Lombardi by unknown renaissance artist.
Psyches gather flowers ( Faniciulle Fioraie - Little flower girls )\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Medieval gothic statue of a Nursing Madonna, an iconography of the Madonna and Child in which the Virgin Mary is shown breastfeeding the infant Jesus. Convent of Christ, Tomar, Portugal
Verano cemetery, Rome, Italy: detail of  Salvatore Carminati's grave built in 1877 and angel with trumpet.
In Quimper is the cathedral of Saint Corentin
Ancient Grave Stone (Stela)
Tempera, also known as egg tempera, is a permanent, fast-drying painting medium that consists of colored pigments mixed with a water-soluble binder, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium.
Saint Nicholas Church in the centre of Brussels
Malaga, Spain - May 31, 2015: The Madonna (The Virgin of the Rosary) painting by Alonso Cano from 17. cent. in Cathedral.
Ares and Aphrodite - Pompeii, House of the Wedding of Hercules (or House of Mars and Venus).\nMars lifts the blue mantle of Venus, to admire her nakedness characterized only by a gold chain arranged in an X on her chest. Characteristic is the representation of the two sexes which provides a dark complexion for the man and a light and delicate complexion for the woman. Two cupids play with the weapons of Mars. The shield and helmet send back reflections of light.
Two mourning angels at the bedside of a royal recumbent statue in the church of the cistercian abbey of Poblet, Catalonia
Mourning woman made of stone with angels
Massa Marittima, Italy - Sept 11, 2022:  Monumental baptismal font, with a rectangular bath surmounted by a small temple. The baptistery dates from 1267. Cathedral of Saint Cerbonius in Massa Marittima. Italy
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
San Giuliano Milanese, Lombardy, Italy - November 15, 2023: Interior view of Viboldone Abbey, frescoes inside the church.
View of sculptures in Saint Barbara's Cathedral, which is a UNESCO World Heritage Site, located in Kutna Hora, Czech Republic. 15/July/2021
Naples - The marble relief of Madonna and souls of Purgatory in the church  Chiesa San Pietro ad Aram by  Gian Domenico d'Auria e Annibale Caccavello -
Dionysos discovers Ariadne on Naxos from the house of the colored columns in Pompeii.\nAfter Ariadne helped Theseus escape from the labyrinth, he abandoned her on the island of Naxos. His ship sails off in the upper right. Dionysus and his retinue discover her sleeping; the god falls in love with her and makes her his consort.
Orvieto, Umbria, Italy - 10 September 2019: Sculptural group of the Duomo facade after restoration on display in the Museo dell'Opera del Duomo
Rome, Italy: the architect Virginio Vespignani was the director of building the cemetry Verano in Rome on Valadier's project based.
Rome - Ara Pacis, Altar of Augustan Peace
This international landmark, as seen on the external public-facing door of the baptistery, was designed by Lorenzo Ghiberti (between 1425-1452) and is an icon of the renaissance. The reliefs represent stories from the Old Testament. The visible heads are those of prophets. The doors displayed are now a copy of the original, with those being displayed in a local museum.
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