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Rome, Italy - March 10, 2016: Rome - The painting of Pieta in church Basilica di San Marco by unknown artist of 17. cent.
postage stamp
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
The detail of the figure of Saint Francis in one of the magnificent frescoes painted by Giotto inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica, which preserves the mortal remains of the Saint of the Poor from 1230, is composed of the Basilica Inferiore (Lower Basilica) and the Basilica Superiore (Upper Basilica), perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
Fragment of wall painting of an Orthodox church, old cracked paint on a concrete wall, texture background.
A print from an old 18th century Bible of the flight to Egypt from Bethlehem in the Christmas story, Mary riding on a donkey with the Christ child.  A key story in the Christian faith.
Brescia, Ialy, May 23, 2016: Brescia - The Madonna with the child and st. Charles and st. Latino in church Chiesa di Angela Merici by Julio Cesare Procaccini (1570 - 1625)
Madonna with child, a fresco in the Church of Santo Stefano, in the small town of Soleto, in Puglia region. Italy. The frescos in this church were painted between the end of the XIVth and the mid XVth century
Digital painting of the 12th century St Cwyfan Church, on the small tidal island of Cribinau, on Anglesey.
Ancient icon of Jesus Christ inside Svetitskhoveli Cathedral in Mtskheta. Georgia
USSR - CIRCA 1970: A stamp printed in USSR shows image of a Return of the Prodigal Son by Rembrandt with the inscription \
Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.
altarpiece from 1625 by an unknown artist depicting the last supper with Jesus and his diciples sitting around a table, Orslev, Denmark, August 9, 2021
Colorful frescoes adorning the walls of a serene monastery, depicting ancient stories and religious symbolism
The last purebred aborigines of Tasmania (William Lanne, 2nd from the left, 1835-1869). The Aboriginal Tasmanians (Palawa) was the indigenous people of the Australian state of Tasmania. Wood engraving, published in 1865.
Genova- The painting of St. Joseph in church Basilica di Santa Maria delle Vigne by unknown baroque artist.
Painting of the face of God in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Istanbul, Turkey-June 9, 2013: The Virgin Mary and Jesus Mosaic on the Wall in Hagia Sophia Mosque, close-up.
isfahan, iran - may 12, 2017 - the art of writing the history and religious beliefs of christianity on the ceiling and high walls of the interior of vank church (vank cathedral) in Isfahan
Madonna with child. Horizontal Shot.
Goddess Minerva, chapel of the Third Order, painted decoration from the 18th century, Perpignan, Pyrénées-Orientales
Pompeii Woman preparing for concert with harp and kithara 30-40 AD
Europe. France. Auvergne-Rhône-Alpes. Ain. Bourg-en-Bresse. 08/05/2019. This colorful image depicts Adoration of the Magi. Georg Pencz. 1500-1550. Oil on wood. Inv. 953.17. Municipal Museum of the Royal Monastery of Brou. Bourg-en-Bresse.
St. George and the Dragon Icon
Reggio Emilia - The painting of St. Joachim, little Virgin Mary and st. Ann in church chiesa di San Francesco
Postage stamp, a painting by Eug
Archaeological finds found in excavations and exposed in the castle of Limanso, Cyprus
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Free Images: "bestof:Luis Tristán - Holy Family.jpg Artwork Creator Luis Tristán 1613 Oil on canvas cm 142 2 109 2 Institution Minneapolis Institute of Arts accession number"
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