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Austria. Vienna. September, 13, 2013. This colorful image depicts a woman giving food or drink to a sick person. Details. Fresco dating from 1726-1729. The frescoes of the cupolas extend over 1,250 m2 and trace the glory of St. Charles Boromée. Johann Michael Rottmayr (1654-1730). Karlskirche. St. Charles's Church. 1716.
Philip and the Ethiopian Eunuch (Acts 8). Copper engraving by Carl Schuler, published c. 1850.
the beautiful oil painting of Judith and Holofernes - Holofernes speaks in Judith's ear
Cupid working as  goldsmith\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Perugia - The fresco of St. Peter baptising of centurion Cornelius in the church Cattedrale di San Lorenzo (St. Lawrece cathedral) by Marcello Leonardi (1795).
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
No kisses with golden face mask. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
High resolution photograph of a detail from a portrait of an Turkish ottoman man with a handlebar moustache
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Rome - The painting Baptism of St. Paul in the church Santa Maria della Concezione dei Cappuccini by Pietro Berrettini da Cortona (1596 - 1669).
Religious art and architectural details in Sacro Monte di Varallo, Italy
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Milan, Italy - April 18, 2023: Interior of the historic Certosa di Garegnano in Milan, Lombardy, Italy
Wash your hands with sanitizer. Modern remake of classical artwork with coronavirus theme - young medieval couple on dark background, golden colored. Concept of coronavirus, pandemic, creativity.
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
The Basilica of Santa Maria Maggiore (Basilica Papale di Santa Maria Maggiore)—among the first churches in the world dedicated to the Virgin Mary—sits on the summit of Esquiline Hill. An extraterritorial property of the Vatican, it is one of the city’s four major basilicas and has one of the best preserved Byzantine interiors in Rome
Peter Visits Cornelius (Acts 10, 25-26). Copper engraving by Carl Schuler, published c. 1850.
Brescia, Ialy, May 23, 2016: Brescia - The Madonna with the child and st. Charles and st. Latino in church Chiesa di Angela Merici by Julio Cesare Procaccini (1570 - 1625)
Fresco from Pompei, Casa di Venus, 1st century AD. Dug out in 1960. It is supposed that this fresco could be the Roman copy of famous portrait of Campaspe, mistress of Alexander the Great\nThe Venus Anadyomene ( Venus rising from the sea ) is considered one of Apelles’s masterpieces. Although the original is lost, we can imagine it somewhat similar to the Roman Venus o.  Venus or Aphrodite (the Greek equivalent) was the Goddess of beauty and love. Her birth took place near Cyprus when she rose out of the calm sea. This moment was that Apelles chose to depict. It is said that for this painting he used Campaspe or Phryne as his model. The latter was another courtesan famous for her beauty. According to Athenaeus, Apelles was inspired to draw Venus’s birth when he saw Phryne swimming naked. The painting eventually ended up in the temple of Caesar in Rome, where, according to Pliny, it sustained minor damaged. Eventually Nero had it removed and replaced with another painting.  After the success of the first Venus, Apelles decided to create an even better one. Unfortunately, he passed away before finishing it.
Valletta, Malta - August 30, 2018: The Flagellation of Christ by Stefano Pieri (1572) in the Sacristy of St. John's Co-Cathedral
Building of the Pyramids by Gustav Richter
painting by Caravaggio inside the church of San Luigi dei Francesi in the city of Rome.The work is open to the public free of charge inside the cloisters of the church
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Milan, Italy - April 8, 2023: Milan, Lombardy, Italy: interior of the medieval San Marco church
Engraving of \
Treviso - The monochrome baroque painting of Jesus at the healing in the church Chiesa di San Gaetano by unknown artist.
Iphigeneia carried to the sacrifice by Odysseus and Menelaos\nThe House of the Tragic Poet ( also called The Homeric House or The Iliadic House ) is a Roman house in Pompeii, Italy dating to the 2nd century BC. The house is famous for its elaborate mosaic floors and frescoes depicting scenes from Greek mythology.\nFrom left to right : Agamemnon - Odysseus - Menelaos ( holding Iphigeneia ) - Calchas
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