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London -  The tiled mosaic of Old testament scenes with the patriarchs, Melchizedek, Moses and Abraham in church All Saints by Matthew Digby Wyatt (1820 - 1877).
Philip and the Ethiopian Eunuch (Acts 8). Copper engraving by Carl Schuler, published c. 1850.
Fagnano Olona, Italy - May 6, 2023: Fagnano Olona, Varese province, Lombardy, Italy: exterior of the historic Madonna della Selva church
The Beltany stone circle is a megalithic monument located near Raphoe in County Donegal, Ireland. It is one of the largest stone circles in Ireland, consisting of 64 stones surrounding a raised platform. The circle dates back to the late Bronze Age or early Iron Age, making it over 3,000 years old.
Fresco representing the Last Supper inside the church of Santa Maria delle Grazie in Anghiari, Tuscany, Italy
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
The ancient stone mill fragment. vintage wheat grain grinder, close-up. Farming and agriculture concept
Prize wheel with blank colorful slices standing on black.
Picture shows Saul spared by David in the cave from Hebrew bible story in biblical costume in desert lands.
Bern - The fresco of  Mirracle at Cana  in the church Dreifaltigkeitskirche by August Müller from beginn of 20. cent.
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
The Uragh Stone Circle is located in County Kerry, Ireland. It is a prehistoric stone circle situated on the Beara Peninsula, near the town of Kenmare. The circle consists of five standing stones, and it is believed to date back to the Bronze Age, making it over 4,000 years old.
Sophia; or, The Modern Prometheus. Pencil drawing. White background.
USD and BTC Dices. 3D Render
The Sack of Baltimore took place in 1631, when the village of Baltimore, West Cork, Ireland, was attacked by Ottoman Empire slavers from the Barbary Coast of North Africa – Dutchmen, Algerians and Ottoman Turks. From an 1886 antique book \
Valencia - The painting of Martyrs ascended to Christ in the side chapel of Cathedral by Jose Grassa from 20. cent.
Noah's Ark and the Flood in the old book The Bible in Pictures, by G. Doreh, 1897
Casino chips falling on background
Dartboard on the wall. Target, and business success concepts
poker table
According to Doro Levi's chronology, Antakya mosaics are dated to the beginning of the 2nd century AD and just after the great earthquake of 526 AD.
Illustration from 19th century
Engraving from 1884 featuring the Japanese Buddhist monk from the 13th century, Nichiren.  He was miraculously saved from death by a shining light.
Bern - The fresco of Last Supper in the church Dreifaltigkeitskirche by August Müller from beginn of 20. cent.
Samson beats the Philistines with the jaws of a donkey in the old book The Bible in Pictures, by G. Doreh, 1897
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Jeremiah was a prophet during the time of King Josiah. He warned the people about a coming judgment because of their sins. His warnings were largely ignored. God instructed him to write on a scroll a message for the people. Jeremiah and Baruch worked on that scroll, but it was later burned by Jehoiachim. Jeremiah was eventually arrested and put in prison. Upon his release, he fled to Egypt. He shared a message of hope and redemption with the exiles.
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
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