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Seville - The saint Peter the Apostle by unknown painter of school in Seville form end of 17. cent. in baroque Church of El Salvador (Iglesia del Salvador).
Ancient icon of Jesus Christ inside Svetitskhoveli Cathedral in Mtskheta. Georgia
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Daffodils and Cherry blossom in an English garden in spring.
yachts near pier in Birgu near Cospicua in Malta with reflection
Paint of female face, acrylic paint
Goddess Minerva, chapel of the Third Order, painted decoration from the 18th century, Perpignan, Pyrénées-Orientales
This is an original unsigned 17th century painting.  The artist is unknown but it is in the style of Sir Peter Lely (Dutch/British, 1618-1680).  A portrait of Anna Maria Talbot (1642-1702), Countess of Shrewsbury from 1659-1668 by virtue of her marriage to Francis Talbot the 11th Earl of Shrewsbury, England. Francis Talbot died from wounds received in a duel with Anna's lover, the second Duke of Buckingham.  In a beat-up gilt wood frame.
Vicenza - The painting of St. Paul the Apostle in the church Chiesa di Santo Stefano by Domenico Tintoretto (1560 – 1635)
Acrylic Painting, Oil Painting, Paintings, Painting, Fine Art Painting
Texture, background and Colorful Image of an original Abstract Painting,oil on Canvas
grunge backgroud
Expressive portrait oil painting sketch on textured canvas
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
Christ mosaic from Hagia Sophia in Istanbul Turkey
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Oil painting, handmade
Professional restorer restoring antique chapel fresco in Italy
Genova - The painting of Last Supper in the church Basilica della Santissima Annunziata del Vastato by Giulio Cesare Procaccini (1574–1625).
Colorful mix art paint background on canvas with copy-space
Jodhpur, Rajasthan, India- September 2021: Handmade paintings of kings of jodhpur hanging at the hall of the fort for tourists.
It was built around 1180 in the Romanesque style. The striking crossing tower has two Romanesque floors, with two Gothic floors added after 1383. The post-war glazing of the windows in the Gothic high choir came from Vincenz Pieper: the \
Io with bovine horns is kept under surveillance by Argos to prevent Zeus from seducing her, as requested by Hera.\nPompeii - House of Meleagro.\nIo was, in Greek mythology, one of the mortal lovers of Zeus. An Argive princess, she was an ancestor of many kings and heroes, such as Perseus.\nIo was tied to an olive tree in Heraion, the holy temple of Hera outside Argos, and the fierce hundred-eyed dog, Argus Panoptes, was guarding her and keeping Zeus away. However, Zeus found the way to set Io free and disregard his wife without doing it in person.
Old still life with a samovar and dishes with fruits, flowers, painted on canvas with oil
on canvas
Fragment of wall painting of an Orthodox church, old cracked paint on a concrete wall, texture background.
Details from my own painting. Explore the dynamic energy of hand-painted acrylic brush strokes in this captivating abstract art background.
Cat Painting. Colorful eyes
Old mosaic picture hanged on the wall of St. George's Church which is an early Byzantine church in Madaba, Jordan.
Free Images: "bestof:El Greco - Portrait of Rodrigo Vázquez - WGA10478.jpg between 1585 1590 Oil on canvas size cm 62 40 Institution Prado object history credit line accession"
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