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Religious art in Sacro Monte di Varallo, Italy: Adam and Eve
Brescia, Ialy, May 23, 2016: Brescia - The Madonna with the child and st. Charles and st. Latino in church Chiesa di Angela Merici by Julio Cesare Procaccini (1570 - 1625)
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Pompeii, House of the Vettii, Casa dei Vettii, VI, 15,1), wall painting of the oecus (room q) at the peristyle. Detail of wall painting showing small angels doing goldsmith work, on the right an angel weighs a piece of jewellery on hand held scales.\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
biblical scene of the famous biblical passage representing Raising of Lazarus, miracle of Jesus Christ. This is one of the Sacro Monte di Varallo's chapels, unesco site in Italy (Varallo, Piedmont, Italy, May 23 2017)
A print from an old 18th century Bible of the flight to Egypt from Bethlehem in the Christmas story, Mary riding on a donkey with the Christ child.  A key story in the Christian faith.
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
The Sack of Baltimore took place in 1631, when the village of Baltimore, West Cork, Ireland, was attacked by Ottoman Empire slavers from the Barbary Coast of North Africa – Dutchmen, Algerians and Ottoman Turks. From an 1886 antique book \
Como - The fresco of Nativity in church Basilica di San Fedele by unknown artist of 16. cent.
Vienna, Austria - October 2021: Mosaic \
Religious art and architectural details in Sacro Monte di Varallo, Italy
St Peter Healing the Sick with His Shadow, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
Roman fresco showing flower dealers. Cherubs represent the flower dealers, and the flowers are being carried in baskets over one cherub's shoulder and on the back of a goat. This fresco is from the triclinium (dining room) of the House of the Vettii in Pompeii\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Paris, france, april 04,  2017 : mural paintings decor of saint merri  church, anonymous artists, 18th century
Poitiers, Vienne, Nouvelle-Aquitaine, France: Saint-Pierre de Poitiers Cathedral - stained glass window displaying the crucifixion.
Philip and the Ethiopian Eunuch (Acts 8). Copper engraving by Carl Schuler, published c. 1850.
Biella - The detail of Impenitent thief as the part of Crucifixion fresco in the church Chiesa di San Sebastiano by master of Lombard school from 16. cent.
Noah's Ark and the Flood in the old book The Bible in Pictures, by G. Doreh, 1897
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Frescoes in the Ruins of the old city of Pompeii, near Naples, Italy
This is a picture of the Lazarus's resurrection depicted in the 18th chapel of the famous Sacro Monte of Varallo in the northern of Italy.
The Basilica of Santa Maria Maggiore (Basilica Papale di Santa Maria Maggiore)—among the first churches in the world dedicated to the Virgin Mary—sits on the summit of Esquiline Hill. An extraterritorial property of the Vatican, it is one of the city’s four major basilicas and has one of the best preserved Byzantine interiors in Rome
Python, in Greek mythology, a huge serpent that was killed by the god Apollo at Delphi either because it would not let him found his oracle, being accustomed itself to giving oracles, or because it had persecuted Apollo's mother, Leto, during her pregnancy.\n\nThe fresco shows the Omphalos stone covered with a net and the Python wrapped around it. A priestess stands at left with a sacrificial bull.\n\nA detail from a sacrificial scene shows a bull being brought to the omphalos - Made up of a stone and a snake it represents the navel of the world - Apollo plays the zither.\n\nThe ancient Greeks also used omphalos to refer to a sacred, rounded stone in the Temple of Apollo at Delphi that was supposed to mark the center of the earth.
Mosaic of Saints. Religion. Orthodox church in Kirowograd Ukraine
Colorful frescoes adorning the walls of a serene monastery, depicting ancient stories and religious symbolism
Naples - The painting of Nativity of Virgin Mary in the church Chiesa di Santa Maria dell Aiuto by Gaspare Traversi (1749).
Adam and Eve. A scene from Milton's Paradise Lost. Engraving from 1870 by Gustave Doré.
Milan, Italy - July 16, 2020: Sant Eustorgio, Paleochristian church in Romanesque style in Milan, Lombardy, Italy. Painting in the interior
A mesmerizing statue of Perseus holding Medusa's head in Florence, depicting Italy's reverence for classical mythology and art
Free Images: "bestof:Cranach the Elder Adam and Eve.jpg Artwork Creator Lucas Cranach I between 1508 1512 oil tempera panel cm 59 44 Institution National Museum Warsaw 2 accession"
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