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This is an original unsigned 17th century painting.  The artist is unknown but it is in the style of Sir Peter Lely (Dutch/British, 1618-1680).  A portrait of Anna Maria Talbot (1642-1702), Countess of Shrewsbury from 1659-1668 by virtue of her marriage to Francis Talbot the 11th Earl of Shrewsbury, England. Francis Talbot died from wounds received in a duel with Anna's lover, the second Duke of Buckingham.  In a beat-up gilt wood frame.
Brescia, Ialy, May 23, 2016: Brescia - The Madonna with the child and st. Charles and st. Latino in church Chiesa di Angela Merici by Julio Cesare Procaccini (1570 - 1625)
El Greco, Greek (active in Italy and Spain), 1541 - 1614, Christ Driving the Money Changers from the Temple, c. 1570-1575, Oil on Canvas
Herculaneum fresco painting Telephus son of  Hercules being nursed by a doe, first century AD\nRoman fresco in the Augusteum ( so called Basilica ) at Herculaneum.\nIn Greek mythology, Telephus was the son of Heracles and Auge, who was the daughter of king Aleus of Tegea.
Painting in the church of San Maurizio al Monastero Maggiore, Milan church of early Christian origin, Italy, Europe.
Details of the interiors of Collegiata di San Gaudenzio church, Varallo, Italy
Fagnano Olona, Italy - May 6, 2023: Fagnano Olona, Varese province, Lombardy, Italy: exterior of the historic Madonna della Selva church
The beautiful fresco painted by Giotto depicting Saint Francis talking to birds inside the Basilica Superiore di San Francesco (Upper Basilica of Saint Francis), in the medieval heart of Assisi, in Umbria. Giotto painted a series of great frescoes along the walls of the single nave of the Basilica between 1292 and 1305, depicting the Stories of St. Francis, from his vocation to his death. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
Fresco in St. Charles's Church in Vienna
Ancient religious murals in Siena, Italy
REGGIO EMILIA, ITALY - APRIL 12, 2018: The painting of angels in church Chiesa dei Cappuchini by Padre Angelico da Villarotta.
Inside the church of Santa Maria della Scala, Siena, Tuscany, Italy
St Peter Healing the Sick with His Shadow, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
Religious art in Sacro Monte di Varallo, Italy: Chapel's interiors
Tempera, also known as egg tempera, is a permanent, fast-drying painting medium that consists of colored pigments mixed with a water-soluble binder, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium.
Monastery of the Caves Pechersk Lavra ceiling Landmark of Kiev Ukraine Europe
Roman fresco showing flower dealers. Cherubs represent the flower dealers, and the flowers are being carried in baskets over one cherub's shoulder and on the back of a goat. This fresco is from the triclinium (dining room) of the House of the Vettii in Pompeii\n\nAn ancient Fourth-Pompeian-Style Roman wall painting in the House of the Vettii or Casa dei Vettii or Domus Vettiorum. Excavated 1894-1895\n\nThe brothers Aulus Vettius Restitutus and Aulus Vettius Conviva commissioned their Fresco decorations from one of the leading artists; workshops so that their home would be not only a comfortable residence but also a status symbol. Cupids and their female equivalents ( psyches ) engaged in a number of different activities
Varallo - The fresco of Last Supper in the church  Chiesa di sant Antonio by C. Secchi
The detail of a fresco by Cimabue inside the Basilica Inferiore di San Francesco (Upper Basilica of San Francesco), in the medieval heart of Assisi, in Umbria. Built in the Italian Gothic style starting from 1228 and completed in 1253, the Basilica preserves the mortal remains of the Saint of the Poor since 1230. The construction of the Basilica consists of a Lower Basilica and an Upper Basilica, perfectly integrated. Over the centuries Assisi and the spirituality of its sacred places have become a symbol of peace, a point of reference for tolerance and solidarity between peoples and between the different confessions of the world. The Umbria region, considered the green lung of Italy for its wooded mountains, is characterized by a perfect integration between nature and the presence of man, in a context of environmental sustainability and healthy life. In addition to its immense artistic and historical heritage, Umbria is famous for its food and wine production and for the high quality of the olive oil produced in these lands. Since 2000 the Basilica and other Franciscan sites of Assisi have been declared a World Heritage Site by UNESCO. Image in high definition format.
biblical scene of the famous biblical passage representing Raising of Lazarus, miracle of Jesus Christ. This is one of the Sacro Monte di Varallo's chapels, unesco site in Italy (Varallo, Piedmont, Italy, May 23 2017)
Rome, Italy - May 12, 2018: The Basilica of the Sacred Heart is located in the Castro Pretorio district, near Termini Station and was built between 1879 and 1887 at the behest of Pope Pius IX who, in 1870, laid the foundation stone of the new building. However, due to the annexation of Rome to the Kingdom of Italy, the work was interrupted; it was only thanks to San Giovanni Bosco that construction could be resumed in 1880 and completed in 1887 by the architect Francesco Vespignani. In this photo, above the side altar dedicated to the baptism of Jesus Christ, detail of the lunette depicting the Heavenly Father.
Paris, france, april 04,  2017 : assomption of madonna by carl Van Looo, 17th century, in  saint-louis enl'ile church,
Painting by Luigi Sabatelli dated 1806 in the Chapel of Madonna del Conforto, Cathedral of Arezzo
Vasari Fresco done in the 1500s. Brunelleschi Cupola, Florence Duomo. Tuscany, Italy.
Palermo, Italy - October 17, 2022: Detail of a fresco of the Pompeiana hall in the apartments of  the Norman Palace also known as the Royal Palace
Parma - The painting of Madonna (Mary Help of Christians) among the angels in church Chiesa di San Benetetto from end of 19. cent.
Religious art and architectural details in Sacro Monte di Varallo, Italy
Raising of the Son of Theophilus, by Masaccio, famous Early Renaissance Fresco in the Brancacci Chapel in Florence, Italy
Apollo, with his bow and quiver sits behind a wall or trellis with a muse at the moment when Admetos and Alkestis receiving the oracle\nFresco from House of the Tragic Poet ( Pompeii )\n\nAlcestis and Admetus of Pherae\nAlcestis, in order to comply with the prophecy of Apollo, agrees to sacrifice herself in place of her bridegroom, king Admetus.\nPompeii, House of the Tragic Poet, VI 8, 5, tablinum.\n45-79 AD.\n\nAlcestis was the fairest among the daughters of Pelias, king of Iolcus, and either Anaxibia or Phylomache. She was sister to Acastus, Pisidice, Pelopia and Hippothoe. Alcestis was the wife of Admetus by whom she bore a son, Eumelus, a participant in the siege of Troy, and a daughter, Perimele.\nIn Greek mythology, Admetus was a king of Pherae in Thessaly.
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