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| View Original: | Three Riders at the Sea (Jean-Maxime Claude) - Nationalmuseum - 18600.tif.tiff (5367x3373) | |||
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| Keywords: Three Riders at the Sea (Jean-Maxime Claude) - Nationalmuseum - 18600.tif Jean-Maxime Claude en Three Riders at the Sea Jean-Maxime Claude had a long career behind him when he painted these three riders on the beach in 1882 With their backs turned to us they regard the sunset over the sea in a tranquil quiet moment The painting was bought by the Swedish collector Oskar Filip Heilborn His collection which was donated to the Nationalmuseum in 1902 is representative of the Swedish fondness for French art at the time It includes older realist works and more contemporary paintings but not one single Impressionist Jean-Maxime Claude hade en lång karriär bakom sig när han 1882 målade de tre ryttarna på stranden Bortvända betraktar de solnedgången över havet i ett ögonblick av stillhet och tystnad Målningen köptes av den svenske samlaren Oskar Filip Heilborn Hans samling som donerades till Nationalmuseum 1902 var representativ för tidens svenska uppskattning av den franska konsten Där ingick såväl äldre realistiska verk som ett mer samtida stämningsmåleri Men där fanns inga impressionister header Jean-Maxime Claude had a long career behind him when he painted these three riders on the beach in 1882 With their backs turned to us they regard the sunset over the sea in a tranquil quiet moment The painting was bought by the Swedish collector Oskar Filip Heilborn His collection which was donated to the Nationalmuseum in 1902 is representative of the Swedish fondness for French art at the time It includes older realist works and more contemporary paintings but not one single Impressionist Jean-Maxime Claude hade en lång karriär bakom sig när han 1882 målade de tre ryttarna på stranden Bortvända betraktar de solnedgången över havet i ett ögonblick av stillhet och tystnad Målningen köptes av den svenske samlaren Oskar Filip Heilborn Hans samling som donerades till Nationalmuseum 1902 var representativ för tidens svenska uppskattning av den franska konsten Där ingick såväl äldre realistiska verk som ett mer samtida stämningsmåleri Men där fanns inga impressionister 1882 Oil on canvas Olja på duk Size cm 65 41 Framed Size cm 102 79 12 Institution Nationalmuseum Stockholm Signerad J Max Claude 1882 accession number 18600 NM 1596 place of creation Erik Cornelius / Nationalmuseum Nationalmuseum Stockholm cooperation project Licensed-PD-Art PD-old-auto PD-Nationalmuseum_Stockholm 1904 Media contributed by Nationalmuseum Stockholm 2016-10 Media contributed by Nationalmuseum Stockholm improve categories Media contributed by Nationalmuseum Stockholm add artist cat and commonscat to artist on wikidata Paintings in the Nationalmuseum Stockholm | ||||