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| Keywords: devotional psalter flemish christian book drawing grotesques historiated initial historiatedinitial illumination manuscript ornament walters art museum waltersartmuseum flanders 14th century 14thcentury devotion scripture text writing This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent (diocese of Tournai), the most notable comparisons being manuscripts connected to Copenhagen, Royal Lib. GKS 3384 8°, such as Cambridge, Trinity Lib., Ms. B.II.22, Bodleian, Ms. Douce 5-6, and the Walters' own W.82. Other relationships can be found with works from Saint-Omer, in the diocese of Thérouanne, where the treatment of the borders is strikingly similar to those found, for instance, in W.90. Notes and prayers written, erased, and rewritten over the course of centuries on the originally blank pages of the book attest to its constant use up through at least the seventeenth century. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W9 For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19944 This charming but fragmentary and misbound Psalter was created in French Flanders for a lady in the first decades of the fourteenth century. The figures in the manuscript are stylistically related to those found in Ghent (diocese of Tournai), the most notable comparisons being manuscripts connected to Copenhagen, Royal Lib. GKS 3384 8°, such as Cambridge, Trinity Lib., Ms. B.II.22, Bodleian, Ms. Douce 5-6, and the Walters' own W.82. Other relationships can be found with works from Saint-Omer, in the diocese of Thérouanne, where the treatment of the borders is strikingly similar to those found, for instance, in W.90. Notes and prayers written, erased, and rewritten over the course of centuries on the originally blank pages of the book attest to its constant use up through at least the seventeenth century. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W9 For a digital “turning the pages” presentation of this manuscript and downloadable PDFs, visit the Walters Art Museum’s Works of Art Web site at www.art.thewalters.org/detail/19944 | ||||
