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| Keywords: drawing photo border Coëtivy-mesteren (Henri de Vulcop?) (fransk, aktiv omkring 1450-85): Philosophia præsenterer personifikationerne af de syv frie kunster til Boëthius. Paris, Frankrig, omkring 1460-70. Temperablokke farver, bladguld, og guldmaling på pergament. 6 x 17 cm. Yderst til venstre, samtaler Boëthius med Philosophia, som var hans "suveræne trøst", som indskriften mellem dem siger. Philosophia præsenterer ham for personifikationer af de syv frie kunster, de primære studiediscipliner, fra middelalderens universiteter. Det understreges, at de hjælper studiet af filosofi. Fra venstre mod højre identificerer en indskrift og en attribut hver enkelt af de frie kunster: Grammatica, bog; Retorica, skriftrulle; Logica (argumentationsdiagram); Musica, noder (neumer); Geometria, vinkel; Aritmetica, ark med tal og Astronomia holder en armillarsfære. Alle syv er er unge kvinder klædt i tidens højeste mode, ledet af Philosophia der selv bærer en omfattende hovedklæde, kendt som en hennin. Coëtivy Master (Henri de Vulcop?) (French, active about 1450 - 1485): Philosophy Presenting the Seven Liberal Arts to Boethius. Paris, France, about 1460 - 1470. Tempera colors, gold leaf, and gold paint on parchment. 6 x 17 cm. On the far left, Boethius speaks to Philosophy, who was his "sovereign comfort," as the inscription between them reads. Philosophy presents him with personifications of the seven liberal arts, the basic studies taught in medieval universities, emphasizing that they assist the study of philosophy. From left to right, an inscription and an attribute identify each of the liberal arts: Grammar (book); Rhetoric (scroll); Logic (patterned wheel representing logical patterns of argument); Music (music sheet); Geometry (square & measure); Arithmetic (scroll with numerals); Astronomy (armillary sphere). All seven are represented as young women dressed at the height of fashion, headed by Philosophy who herself wears an elaborate headdress known as an hennin. Wikimedia, Public domain: goo.gl/1NaXO5 Coëtivy-mesteren (Henri de Vulcop?) (fransk, aktiv omkring 1450-85): Philosophia præsenterer personifikationerne af de syv frie kunster til Boëthius. Paris, Frankrig, omkring 1460-70. Temperablokke farver, bladguld, og guldmaling på pergament. 6 x 17 cm. Yderst til venstre, samtaler Boëthius med Philosophia, som var hans "suveræne trøst", som indskriften mellem dem siger. Philosophia præsenterer ham for personifikationer af de syv frie kunster, de primære studiediscipliner, fra middelalderens universiteter. Det understreges, at de hjælper studiet af filosofi. Fra venstre mod højre identificerer en indskrift og en attribut hver enkelt af de frie kunster: Grammatica, bog; Retorica, skriftrulle; Logica (argumentationsdiagram); Musica, noder (neumer); Geometria, vinkel; Aritmetica, ark med tal og Astronomia holder en armillarsfære. Alle syv er er unge kvinder klædt i tidens højeste mode, ledet af Philosophia der selv bærer en omfattende hovedklæde, kendt som en hennin. Coëtivy Master (Henri de Vulcop?) (French, active about 1450 - 1485): Philosophy Presenting the Seven Liberal Arts to Boethius. Paris, France, about 1460 - 1470. Tempera colors, gold leaf, and gold paint on parchment. 6 x 17 cm. On the far left, Boethius speaks to Philosophy, who was his "sovereign comfort," as the inscription between them reads. Philosophy presents him with personifications of the seven liberal arts, the basic studies taught in medieval universities, emphasizing that they assist the study of philosophy. From left to right, an inscription and an attribute identify each of the liberal arts: Grammar (book); Rhetoric (scroll); Logic (patterned wheel representing logical patterns of argument); Music (music sheet); Geometry (square & measure); Arithmetic (scroll with numerals); Astronomy (armillary sphere). All seven are represented as young women dressed at the height of fashion, headed by Philosophy who herself wears an elaborate headdress known as an hennin. Wikimedia, Public domain: goo.gl/1NaXO5 | ||||
