MAKE A MEME View Large Image ...Time (Hanna Pauli) - Nationalmuseum - 18709.tif Artwork Creator Hanna Pauli Breakfast-Time To this day Hanna Hirsch-Pauli ™s painting Breakfast - Time from 1887 is still able to trigger feelings of intense sensual pleasure from our visitors ...
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Keywords: Breakfast-Time (Hanna Pauli) - Nationalmuseum - 18709.tif Artwork Creator Hanna Pauli Breakfast-Time To this day Hanna Hirsch-Pauli ™s painting Breakfast - Time from 1887 is still able to trigger feelings of intense sensual pleasure from our visitors We truly feel invited; it is just like our very own breakfast ritual The chairs are waiting for us and we can almost feel how the heavy teapot tilts as we lift it The table which is laid with beautiful objects gives associations to family life and domesticity The image shows a corner of reality where the bourgeois dining room has been removed to the garden This is an open-air painting suffused with light The subject is dappled with reflections that give the objects a suggestive shimmer It is a juste-milieu painting being at once anchored in the classicist tradition with its linear perspective but also inspired by the way the Impressionists depicted light with colour Like many Swedish artists at the time Hanna Hirsch-Pauli studied in Paris and exhibited at the Salon The use of light the lively brushstrokes and the thickly applied paint outraged several Swedish critics at the time They saw her technique as slipshod and one critic meant that the flecks of light on the table cloth were probably the result of the artist wiping her own brushes on it In the late 1880s Breakfast - Time played a major role in Hanna Hirsch-Pauli ™s breakthrough as an artist Already an accomplished colourist as we can see she went on to develop those skills in her portrait painting Bilden visar ett utsnitt av verkligheten dĂ€r den borgerliga matsalen flyttats ut i naturen Det uppdukade bordet som Ă€r fyllt av vackra föremĂ„l skall ge associationer till familjeliv och hemtrevnad Frukostdags Ă€r en av museets populĂ€raste bilder Man kĂ€nner sig inbjuden det kĂ€nns som min frukoststund Stolen vĂ€ntar pĂ„ mig och jag kan kĂ€nna hur tekannan vickar nĂ€r man lyfter den Citat frĂ„n publikundersökning gjord pĂ„ Nationalmuseum Frukostdags spelade en stor roll i Hanna Paulis genombrott i det nordiska konstlivet i slutet pĂ„ 1880-talet Hon hade nyligen studerat i Paris vid AcadĂ©mie Colarossi och kommit in pĂ„ Paris-salongen 1887 med portrĂ€ttet av den finska konstnĂ€ren Venny Soldan idag i Göteborgs konstmuseum Frukostdags Ă€r en friluftsmĂ„lning bordet och lövverket Ă€r upplösta av ljusreflexer som ger föremĂ„len ett suggestivt skimmer KonstnĂ€ren har delvis inspirerats av impressionisternas sĂ€tt att skildra ljuset med fĂ€rg Motivet var populĂ€rt bland de realistiska konstnĂ€rerna vid den hĂ€r tiden och Hanna Pauli var frĂ€mst pĂ„verkad av den franske konstnĂ€ren Jules Bastien - Lepages mĂ„leri Ljusbehandlingen den livliga penselskriften och de delvis tjockt pĂ„lagda fĂ€rgfĂ€lten upprörde flera samtida svenska kritiker Man sĂ„g Hanna Paulis teknik som alltför modern och en kritiker antog att ljusflĂ€ckarna pĂ„ bordsduken berodde pĂ„ att konstnĂ€ren sjĂ€lv torkat sina penslar pĂ„ den Hanna Pauli stĂ€llde bland annat ut Frukostdags pĂ„ VĂ€rldsutstĂ€llningarna i Paris 1889 och Chicago 1893 Samma Ă„r som hon mĂ„lade bilden förlovade hon sig med konstnĂ€ren Georg Pauli och de bosatte sig smĂ„ningom i Stockholm och fick tre barn Trots att hon fick ta ett stort ansvar för bĂ„de hem och barn lyckades hon fortsĂ€tta med sin karriĂ€r och hade ett lĂ„ngt yrkesliv header To this day Hanna Hirsch-Pauli ™s painting Breakfast - Time from 1887 is still able to trigger feelings of intense sensual pleasure from our visitors We truly feel invited; it is just like our very own breakfast ritual The chairs are waiting for us and we can almost feel how the heavy teapot tilts as we lift it The table which is laid with beautiful objects gives associations to family life and domesticity The image shows a corner of reality where the bourgeois dining room has been removed to the garden This is an open-air painting suffused with light The subject is dappled with reflections that give the objects a suggestive shimmer It is a juste-milieu painting being at once anchored in the classicist tradition with its linear perspective but also inspired by the way the Impressionists depicted light with colour Like many Swedish artists at the time Hanna Hirsch-Pauli studied in Paris and exhibited at the Salon The use of light the lively brushstrokes and the thickly applied paint outraged several Swedish critics at the time They saw her technique as slipshod and one critic meant that the flecks of light on the table cloth were probably the result of the artist wiping her own brushes on it In the late 1880s Breakfast - Time played a major role in Hanna Hirsch-Pauli ™s breakthrough as an artist Already an accomplished colourist as we can see she went on to develop those skills in her portrait painting Bilden visar ett utsnitt av verkligheten dĂ€r den borgerliga matsalen flyttats ut i naturen Det uppdukade bordet som Ă€r fyllt av vackra föremĂ„l skall ge associationer till familjeliv och hemtrevnad Frukostdags Ă€r en av museets populĂ€raste bilder Man kĂ€nner sig inbjuden det kĂ€nns som min frukoststund Stolen vĂ€ntar pĂ„ mig och jag kan kĂ€nna hur tekannan vickar nĂ€r man lyfter den Citat frĂ„n publikundersökning gjord pĂ„ Nationalmuseum Frukostdags spelade en stor roll i Hanna Paulis genombrott i det nordiska konstlivet i slutet pĂ„ 1880-talet Hon hade nyligen studerat i Paris vid AcadĂ©mie Colarossi och kommit in pĂ„ Paris-salongen 1887 med portrĂ€ttet av den finska konstnĂ€ren Venny Soldan idag i Göteborgs konstmuseum Frukostdags Ă€r en friluftsmĂ„lning bordet och lövverket Ă€r upplösta av ljusreflexer som ger föremĂ„len ett suggestivt skimmer KonstnĂ€ren har delvis inspirerats av impressionisternas sĂ€tt att skildra ljuset med fĂ€rg Motivet var populĂ€rt bland de realistiska konstnĂ€rerna vid den hĂ€r tiden och Hanna Pauli var frĂ€mst pĂ„verkad av den franske konstnĂ€ren Jules Bastien - Lepages mĂ„leri Ljusbehandlingen den livliga penselskriften och de delvis tjockt pĂ„lagda fĂ€rgfĂ€lten upprörde flera samtida svenska kritiker Man sĂ„g Hanna Paulis teknik som alltför modern och en kritiker antog att ljusflĂ€ckarna pĂ„ bordsduken berodde pĂ„ att konstnĂ€ren sjĂ€lv torkat sina penslar pĂ„ den Hanna Pauli stĂ€llde bland annat ut Frukostdags pĂ„ VĂ€rldsutstĂ€llningarna i Paris 1889 och Chicago 1893 Samma Ă„r som hon mĂ„lade bilden förlovade hon sig med konstnĂ€ren Georg Pauli och de bosatte sig smĂ„ningom i Stockholm och fick tre barn Trots att hon fick ta ett stort ansvar för bĂ„de hem och barn lyckades hon fortsĂ€tta med sin karriĂ€r och hade ett lĂ„ngt yrkesliv 1887 Oil on canvas Olja pĂ„ duk Size cm 91 87 Framed Size cm 134 128 7 Institution Nationalmuseum Stockholm Signerad Hanna HiRsch 87 accession number 18709 NM 1705 place of creation Nationalmuseum Nationalmuseum Stockholm cooperation project Licensed-PD-Art PD-old-auto PD-Nationalmuseum_Stockholm 1940 Media contributed by Nationalmuseum Stockholm 2016-10 Paintings in the Nationalmuseum Stockholm Hanna Pauli
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