Keywords: devotional book of hours bookofhours french heraldry ornament painting christian book codex illumination manuscript miniature walters art museum waltersartmuseum flanders france 15th century 15thcentury devotion indoor This Book of Hours was created ca. 1435-1440 in Amiens by artists from the circle of the Master of W.281 (Randall, cat. 112) for a female patron depicted on fol. 135r. The manuscript contains fourteen miniatures and is localized to Amiens by the contents of the calendar and litany, which include many saints particular to that region. Quire 12 (fols. 82-89) is misbound with quire 13 (fols. 90-97), with Suffrages and the Seven Verses of St. Bernard (fols. 82-89) intended to be after the Office of the Dead (fols. 90-128), as evinced by the location of the rubric for the Office of the Dead on fol. 81v. Bound in Paris, France by Léon Gruel in nineteenth century; brown morocco leather; re-sewn on five cords; upper and lower boards blind tooled with imitation fifteenth-century Flemish motifs; five raised bands on spine; gilt title on spine reading "Heures/ D'Ameins/ Saec. XV.", at tail edge of spine reading "Gruel"; modern gilded edges; two modern leather straps missing, metal edge-pin clasps at fore-edge of upper and lower boards extant. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). This Book of Hours was created ca. 1435-1440 in Amiens by artists from the circle of the Master of W.281 (Randall, cat. 112) for a female patron depicted on fol. 135r. The manuscript contains fourteen miniatures and is localized to Amiens by the contents of the calendar and litany, which include many saints particular to that region. Quire 12 (fols. 82-89) is misbound with quire 13 (fols. 90-97), with Suffrages and the Seven Verses of St. Bernard (fols. 82-89) intended to be after the Office of the Dead (fols. 90-128), as evinced by the location of the rubric for the Office of the Dead on fol. 81v. Bound in Paris, France by Léon Gruel in nineteenth century; brown morocco leather; re-sewn on five cords; upper and lower boards blind tooled with imitation fifteenth-century Flemish motifs; five raised bands on spine; gilt title on spine reading "Heures/ D'Ameins/ Saec. XV.", at tail edge of spine reading "Gruel"; modern gilded edges; two modern leather straps missing, metal edge-pin clasps at fore-edge of upper and lower boards extant. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2015. Access a complete set of high-resolution archival images of this manuscript for free on The Digital Walters (www.thedigitalwalters.org/01_ACCESS_WALTERS_MANUSCRIPTS.html). For a digital “turning the pages” presentation of the manuscripts and downloadable PDFs, visit the Walters Art Museum’s Website (art.thewalters.org/browse/category/manuscript-and-rare-bo...). |